Japanese Noh Music

Japanese Noh Music

Lyrichord LST 7137
by Hemroid The Leader

In the 6th century, ancient music and dance came to Japan from the Kingdom of Kudara in what is now Korea.  In the 8th century the Chinese circus came to Japan, with acrobatics, pantomime, and comedy.  These influences, in combination with indigenous rituals related to the passing of the seasons or cultivation of rice, form the basis for Noh theater, which took on its present form in the 14th century.

Noh theater troupes are led by a Grand Master and all members are blood relatives or adopted.  Sons reprise roles of their fathers.  Small gestures are mimicked through generations, eventually commanding much of the audience’s focus.  The audience is made up of the Shogun, feudal lords, sophisticates and wealthy commoners.

This record features members of the Kyoto Noh Theater, designated as an Important Intangible Cultural Property by the Japanese government in 1957.   It may seem like not much is going on.   A wooden flute plays an ancient pentatonic melody, taiko strike here and there, a woodblock plays a slow roll as characters enter and exit the scene, dancers move in exact synchronization.  The main character wears a wooden face mask, an ornate robe, and speaks in Old Japanese.  A ceremonial tone pervades throughout.

Of Viff and Other Words That Have Gone the Way of the Dodo Bird

I wrote about Viff in the post about the aquarium.  I was too late on that one, too.  By the time we drove home from the aquarium, he was already saying Fish correctly.

John John pointed to my shoulder recently, and said definitively, “Butt.”  I looked at my shirt; he was pointing to some decorative buttons.  “Button,” I said.  “Can you say, ‘button?'”

“Butt,” he told me.

I kept meaning to make a little post about this because I thought it was cute.  There have been many moments of this, pointing to his pants button, and announcing, “Butt.” Or my collared shirt: “Butt.”

Today, he said, “Button,” and I knew my chance of posting in the moment had slipped by.  But while the iron is still hot, I wish to strike two more times: mokosyll & keemah.

It’s great that he is developing, but I’ll be just a little sad when he finally says motorcycle and cucumber.

Stone Cold Lampin #10

Stone Cold Lampin’ #10
9/5/15

Starting out percussive and textural, the show gets more centered towards out jazz as it goes on.

Hour 1: Starts at 1:55 so you get a few minutes of Goodwrench. Ritual drumming, Haitian Vodou, minimalism.

Hour 2: Biff Rose, Brahms, contemporary jazz.

Hour 3: 70s jazz, out jazz, extended technique sounds, Oranges.

Hour 4: Uruguayan organ, vocal jazz, French, Brooklyn saxophone, Middle Eastern, Somniloquy.

Each mp3 is 70 minutes long and starts a few minutes before the hour, and ends a few minutes after.
Streams will be available until September 19.

Streams via kfjc.org.

Our Escapist Weekend

A few weekends ago, the weather forecast showed temperatures in excess of 100 in San Jose both Saturday and Sunday, so we got out of Dodge and had two days of family adventure:

Saturday in Santa Cruz @ Harvey West Park
imageJohn John is proud of his walking stick.

imageThere was as event being set up for a Boys and Girls club, which meant we eventually left amid the booming bass of a sound system manned by a millenial (as indicated by musical selection and order), but while the morning was still cool-ish, and quiet, John John had fun with this enormous beach ball, the likes of which he’d never seen.

Sunday in Mill Valley
imageThrowing rocks in to streams with friends.  John John later tried to scale that rock.

imageThis photo was followed by naked romping in the water. A good way to cool off!

imageRefreshed after a much needed bath to remove mud and grime, having some cheese on Papa’s lap.

Another John John Installation

One of my favorite things is walking into a room and discovering the remains of some exploration and play that John John has left. This one was intricate. Notice the placement of the camels under the plastic lid as a detail.  #lovemylittleinstallationartistimage

Stone Cold Lampin #9

Stone Cold Lampin’ #9
8/22/15

It was good to get back in the studio. The show was good. Tighter transitions. I played lots of international music this week.

Hour 1: Starts at 1:57 so you get a few minutes of Goodwrench. African drums, Japanese psych, piano pieces for children.

Hour 2: Slow Satie, Peru, drumming, organ, oranges.

Hour 3: Sun Ra, Ives, Hindemuth.

Hour 4: Ambient leading in to Sal 9000.

Streams via kfjc.org
Streams will be available until September 5.

I Am Someone To Love

    I am the writer
    But I am but alone
    When I’m on this microphone
    I hear singing from the catacombs

    Someday you’ll come to find me
    Look for me and I’ll be gone
    Don’t look no further on
    I’m right here in the song

    If this music makes you feel like I feel
    That’s what is real
    That’s all that’s real

    I am (sing it with me)
    I am someone to love
    (Sing it) I am someone to love

    Keep on knocking
    But you can’t come in
    Don’t tell my Mama
    What kind of shape I’m in

    Take it on the chin
    Every now and again
    Dust myself off
    And check back in

    I know I got problems
    Some of y’all got problems too
    I know it’s true

    This life is beautiful
    Ain’t nothin anyone could do
    To take that away from you

    I am
    I am someone to love
    I am someone to love