Stone Cold Lampin #13

Stone Cold Lampin’ #13
9/26/15

This show marks a milestone. I’ve completed 13 graveyard shifts, and I can move on to daytime shifts. I’ve had a good time working the graveyard shifts and I will miss it. My family won’t. I’d go to bed around 7 PM the night before, wake up by alarm at 12:20 AM, and head in to the studio. Nami left me a banana, some granola, and a pot of coffee in a thermos. It worked pretty well. I didn’t get tired and I was often able to get calm enough to really contemplate the sound. I played some spaced-out music. I told my friend that I felt like a man holding a torch next to a vast ocean, surrounded by the dark night. I let the sound ring out into the darkness. Embers fell from my torch. When I got home, I napped for an hour or two right after breakfast.
For my last shift, I tried to find out something about contemporary composers. I played music of stringed instruments. I took a trip around the world.

Hour 1: Starts at 1:55 so you get a few minutes of Goodwrench. After a short stop at Norcal Noisefest 2000, the hour is bookended by Ligeti, older and younger. In between, traditional sounds from Korea, North America, Japan, Morocco, and Mexico.

Hour 2: Twentieth- and twenty-first-century sounds, the results of an inquiry into contemporary western classical music.

Hour 3: Sun Ra and Voicehandler set the tone for the second hour of inquiry about a contemporary.

Hour 4: I just had to figure it out, “What does classical music sound like now?” No conclusion.

Here’s the playlist.

Each mp3 is 70 minutes long and starts a few minutes before the hour, and ends a few minutes after.
Streams will be available until October 2.

Streams via kfjc.org.

Stone Cold Lampin’ #12

Stone Cold Lampin’ #12
9/19/15

Started out on a jazz trip, into a mix of international sounds from Japan, Mali, and South America. Western classical music rears its pretty head, Agnes Martin On Not Thinking, wrapping up strangely.

Hour 1: Starts at 1:55 so you get a few minutes of Goodwrench. Then it’s a Jazz trip for the first hour.

Hour 2: Jazz rolls on for twenty odd minutes, then Acid Mothers Temple guitarist Makoto Kawabata, then Tibetan exorcist chant.

Hour 3: Blues-pop from Mali. South American guitar instruments, blues, gospel, Schubert played by Peter Serkin.

Hour 4: Satie played slowly by Philip Corner, Agnes Martin speaks, Robert Crouch, Sibelius

Here’s the playlist.

Each mp3 is 70 minutes long and starts a few minutes before the hour, and ends a few minutes after.
Streams will be available until October 2.

Streams via kfjc.org.

Stone Cold Lampin #11

Stone Cold Lampin’ #11
9/12/15

Starting out digging in the reggae library, the show takes a left turn at the new William Parker CD, spends some time with Hector Villalobos and Henry Brant, ending up with some international vocal music and long-form Robert Crouch.

Hour 1: Starts at 1:55 so you get a few minutes of Goodwrench. Then it’s a reggae vibe for forty minutes

Hour 2: Villalobos, Wet Hair, Kyoto Nohgaku Kai.

Hour 3: Villalobos, Henry Brant.

Hour 4: Jazz, international vocal, ambient.

Each mp3 is 70 minutes long and starts a few minutes before the hour, and ends a few minutes after.
Streams will be available until September 26.

Streams via kfjc.org.

Japanese Noh Music

Japanese Noh Music

Lyrichord LST 7137
by Hemroid The Leader

In the 6th century, ancient music and dance came to Japan from the Kingdom of Kudara in what is now Korea.  In the 8th century the Chinese circus came to Japan, with acrobatics, pantomime, and comedy.  These influences, in combination with indigenous rituals related to the passing of the seasons or cultivation of rice, form the basis for Noh theater, which took on its present form in the 14th century.

Noh theater troupes are led by a Grand Master and all members are blood relatives or adopted.  Sons reprise roles of their fathers.  Small gestures are mimicked through generations, eventually commanding much of the audience’s focus.  The audience is made up of the Shogun, feudal lords, sophisticates and wealthy commoners.

This record features members of the Kyoto Noh Theater, designated as an Important Intangible Cultural Property by the Japanese government in 1957.   It may seem like not much is going on.   A wooden flute plays an ancient pentatonic melody, taiko strike here and there, a woodblock plays a slow roll as characters enter and exit the scene, dancers move in exact synchronization.  The main character wears a wooden face mask, an ornate robe, and speaks in Old Japanese.  A ceremonial tone pervades throughout.

Of Viff and Other Words That Have Gone the Way of the Dodo Bird

I wrote about Viff in the post about the aquarium.  I was too late on that one, too.  By the time we drove home from the aquarium, he was already saying Fish correctly.

John John pointed to my shoulder recently, and said definitively, “Butt.”  I looked at my shirt; he was pointing to some decorative buttons.  “Button,” I said.  “Can you say, ‘button?'”

“Butt,” he told me.

I kept meaning to make a little post about this because I thought it was cute.  There have been many moments of this, pointing to his pants button, and announcing, “Butt.” Or my collared shirt: “Butt.”

Today, he said, “Button,” and I knew my chance of posting in the moment had slipped by.  But while the iron is still hot, I wish to strike two more times: mokosyll & keemah.

It’s great that he is developing, but I’ll be just a little sad when he finally says motorcycle and cucumber.

Stone Cold Lampin #10

Stone Cold Lampin’ #10
9/5/15

Starting out percussive and textural, the show gets more centered towards out jazz as it goes on.

Hour 1: Starts at 1:55 so you get a few minutes of Goodwrench. Ritual drumming, Haitian Vodou, minimalism.

Hour 2: Biff Rose, Brahms, contemporary jazz.

Hour 3: 70s jazz, out jazz, extended technique sounds, Oranges.

Hour 4: Uruguayan organ, vocal jazz, French, Brooklyn saxophone, Middle Eastern, Somniloquy.

Each mp3 is 70 minutes long and starts a few minutes before the hour, and ends a few minutes after.
Streams will be available until September 19.

Streams via kfjc.org.

Our Escapist Weekend

A few weekends ago, the weather forecast showed temperatures in excess of 100 in San Jose both Saturday and Sunday, so we got out of Dodge and had two days of family adventure:

Saturday in Santa Cruz @ Harvey West Park
imageJohn John is proud of his walking stick.

imageThere was as event being set up for a Boys and Girls club, which meant we eventually left amid the booming bass of a sound system manned by a millenial (as indicated by musical selection and order), but while the morning was still cool-ish, and quiet, John John had fun with this enormous beach ball, the likes of which he’d never seen.

Sunday in Mill Valley
imageThrowing rocks in to streams with friends.  John John later tried to scale that rock.

imageThis photo was followed by naked romping in the water. A good way to cool off!

imageRefreshed after a much needed bath to remove mud and grime, having some cheese on Papa’s lap.

Stone Cold Lampin #9

Stone Cold Lampin’ #9
8/22/15

It was good to get back in the studio. The show was good. Tighter transitions. I played lots of international music this week.

Hour 1: Starts at 1:57 so you get a few minutes of Goodwrench. African drums, Japanese psych, piano pieces for children.

Hour 2: Slow Satie, Peru, drumming, organ, oranges.

Hour 3: Sun Ra, Ives, Hindemuth.

Hour 4: Ambient leading in to Sal 9000.

Streams via kfjc.org
Streams will be available until September 5.

I Am Someone To Love

    I am the writer
    But I am but alone
    When I’m on this microphone
    I hear singing from the catacombs

    Someday you’ll come to find me
    Look for me and I’ll be gone
    Don’t look no further on
    I’m right here in the song

    If this music makes you feel like I feel
    That’s what is real
    That’s all that’s real

    I am (sing it with me)
    I am someone to love
    (Sing it) I am someone to love

    Keep on knocking
    But you can’t come in
    Don’t tell my Mama
    What kind of shape I’m in

    Take it on the chin
    Every now and again
    Dust myself off
    And check back in

    I know I got problems
    Some of y’all got problems too
    I know it’s true

    This life is beautiful
    Ain’t nothin anyone could do
    To take that away from you

    I am
    I am someone to love
    I am someone to love